Welcome to your ultimate guide for Photography Techniques: Light, Content, and Sharing quiz answers! Whether you’re completing practice quizzes to improve your photography skills or preparing for graded quizzes to test your knowledge, this guide is here to help.
Covering all course modules, this resource will help you understand how to harness lighting, compose meaningful content, and effectively share your photos with the world.
Photography Techniques: Light, Content, and Sharing Quiz Answers – Practice & Graded Quizzes for All Modules
Table of Contents
Photography Techniques: Light, Content, and Sharing Module 01 Quiz Answers
Portrait, Landscape, Still Life, Tableau – Summative Quiz Answers
Q1. In the following sequence of statements, either all are accurate (choose “True”), or one is inaccurate (choose “False”).
In general, the genre of “still life” involves inanimate objects placed into a composed order, in a context, with a background. Many different kinds of objects can be used—a random collection of objects taken from everyday life—a collection of different colored feathers, books next to a watch on a table top, and so forth. They can also sometimes involve people in the image.
Correct Answer: False
Explanation: While still life traditionally involves inanimate objects arranged in a composed manner, the inclusion of people in the image would render it outside the classic “still life” genre.
Q2. Most portraits use soft, indirect, diffused light. The use of hard, direct light is unusual and quite rare, although on occasion, in the right context, it can be highly evocative and effective.
Correct Answer: True
Explanation: Most portraits indeed use soft, indirect, diffused light, as it flatters the subject and creates a gentle, natural appearance. Hard, direct light is rare but can be effective in specific contexts.
Q3. In the following sequence of statements, either all are accurate (choose “True”), or one is inaccurate (choose “False”).
Landscapes portray the physical character of landforms—mountains, hills, valleys, island geography, water forms—bays, inlets, etc.—and so forth. They never involve human subjects.
Correct Answer: False
Explanation: Landscapes primarily portray natural landforms but can sometimes include human subjects, such as hikers or buildings, which disqualifies the statement that they “never involve human subjects.”
Q4. A tableau image—deriving originally from a party pastime involving recreating scenes from famous paintings, where participants would dress up, use props, stand in front of created backgrounds, and so forth—within photography, is a genre that in some cases has involved recreating old paintings or scenes from novels, but also creating photographic scenes related to new narratives, some literary, some cinematic, some poetic, some social and satirical.
Correct Answer: True
Explanation: Tableau photography often involves recreating scenes from paintings, novels, or new narratives using costumes, props, and backdrops, aligning with the description provided.
Q5. In making portraits, the focal length of the lens is an important choice. Most portrait photographers prefer wide and super-wide-angle lenses because of the depth of field and the flattering effect they have on the face.
Correct Answer: False
Explanation: Most portrait photographers prefer lenses with longer focal lengths (e.g., 85mm–135mm) as they provide a flattering perspective and minimize distortion, unlike wide-angle lenses.
Q6. Most of the images in the “Manipulated Landscape” genre (or sub-genre) are created using post-processing effects, like splitting the image into a positive and negative panel, or inserting fragments from the image of a landscape scene back into the scene itself. Some multiple exposure overlays can be created in the camera, but this is more exceptional than part of the rule.
Correct Answer: True
Explanation: Manipulated landscapes are largely created using post-processing effects, as described. While multiple exposures can sometimes be achieved in-camera, this is less common.
Q7. The golden formula that ensures a good landscape photograph involves setting the f-stop to the highest number (f/16 or f/22 or higher), finding the right distance to get the entire area in the frame, minimizing the foreground, and using the fastest shutter speed you can use.
Correct Answer: False
Explanation: The suggested “golden formula” is inaccurate. Effective landscape photography often includes maximizing depth of field and thoughtful foreground inclusion, but not necessarily using the fastest shutter speed or minimizing the foreground.
Q8. One of the most important choices in the creation of a still life has to do with how much space your subject—the objects—take up in the frame, and how much space is left (sometimes, if dark, or shadowy, that space might be functional negative space).
Correct Answer: True
Explanation: The balance between subject space and negative space is a critical element in still life photography, influencing the composition and mood.
Q9. When taking photographic portraits, focus and depth of field are extremely important choices. Many portraits are taken in a way that ensures the eyes will be most crisply sharp, even if there is a very shallow depth of field. When metering, many photographers prefer to set the camera to spot focus (or partial) metering.
Correct Answer: True
Explanation: Portrait photographers frequently focus on the eyes with shallow depth of field, using spot or partial metering for precise exposure and focus control.
Q10. When shooting portraits of the face, many photographers strive to have everything in the frame in the sharpest possible focus. Other photographers use low f-stops (f/1.4, etc.) to get the bokeh and blurred background that helps isolate and emphasize the subject. In these photos, the eyes might be sharply in focus, but the nose and cheeks softly blurred. Although most photographers, creating portraits, choose to have the eyes sharply in focus, both approaches outlined above can be effective.
Correct Answer: True
Explanation: Both techniques—sharp focus on the entire frame or selective focus with blurred backgrounds—are valid in portrait photography, with emphasis on the eyes being a common feature.
Q11. The golden hour is the name for the time right after sunrise, or right before sunset, when the available light is soft, and often has a golden hue. Shooting during this time allows you to get rich and varied highlights and shadows into your landscapes (the highlights and shadows would be harder in bright, midday light, and the highlights more glaring, the shadows deeper, and both more uniform, swallowing detail).
Correct Answer: True
Explanation: The golden hour provides soft, warm lighting, ideal for enhancing highlights and shadows in landscape photography.
Q12. A genre is a particular concept that suggests the shared characteristics of a set of different works, in our case, photographs. The word means “a kind” of work, or works of “one specific kind.”
Correct Answer: True
Explanation: The term “genre” indeed refers to a specific kind or category of work, characterized by shared attributes, including in photography.
Q13. In the following sequence of statements, either all are accurate (choose “True”), or one is inaccurate (choose “False”).
Most “tableau” images call on you to use your portrait photography skills, your landscape (and/or cityscape) skills, and your skill working with “still lives.” Tableau images often require considerable preparation of a set, or location, and often use makeup, costumes, and props, and many times, a sizeable group of models, or actors, to create a single photograph. Tableau images are all taken in studios.
Correct Answer: False
Explanation: While tableau images may incorporate various photographic skills and require detailed preparation, they are not exclusively taken in studios.
Q14. Still life images can effectively use either hard, direct lighting or soft, indirect lighting. Which will be appropriate depends on the objects, the intended order, and the desired emotional ambience—hard lighting lends itself to certain kinds of dramatic effects, or austerity and roughness; soft, diffuse lighting can be more suggestive, elegant, smooth, and so forth. Ultimately, the choice of lighting is crucial to creating the photographer’s intended concept, and cannot be evaluated independently of that concept.
Correct Answer: True
Explanation: Lighting choices are crucial in still life photography and are guided by the desired emotional and visual effect, whether dramatic or smooth.
Q15. The focal point in a landscape photograph, like in a portrait or still life, draws your eye to an important part of the picture, like a visual magnet.
Correct Answer: True
Explanation: A focal point is essential in landscape photography, just as in other genres, guiding the viewer’s attention to a key element in the image.
Q16. In portraiture, framing has to do with how much of the subject is chosen to be in the image. All portraits focus on the head and face.
Correct Answer: False
Explanation: Portraits can include more than just the head and face; framing decisions vary, and full-body or mid-body portraits are also common.
Photography Techniques: Light, Content, and Sharing Module 02 Quiz Answers
Summative Quiz – Ambient Light Quiz Answers
Q1. When working with ambient light, although this is true when working with studio light as well, one important choice has to do with how close your subject is to your light source. If you are working with people, or things, you can move them closer to the source, or further away, to affect changes in the quality of the light. It is important to remember the “inverse square law” and keep in mind that each step away, the light decreases even more dramatically, and each step toward the source leads to an even brighter source.
Correct Answer: True
Explanation: The “inverse square law” is crucial when working with light sources. Moving a subject closer to the light makes the light brighter, and moving it away decreases its intensity more dramatically.
Q2. There are three things that can happen when light moves from a source and hits a surface:
- It reflects. (Reflection) – Light hits the surface and bounces off (There are two types of reflection: specular reflection – when light bounces off smooth surfaces; diffuse reflection – when light bounces off textured surfaces).
- It is absorbed. (Absorption) – Light hits a surface and is absorbed, converted to heat.
- It passes through. (Transmission) – Light hits a surface and passes through.
Correct Answer: True
Explanation: These three processes—reflection, absorption, and transmission—accurately describe how light interacts with surfaces.
Q3. In the following sequence, if all statements are true, mark it “True”, if one is false, mark it “False.”
Color is a product of both the source of light and reflected light that hits our eyes. White is the result of almost all wavelengths of light being reflected back to our eye; black is a result of almost all the wavelengths being absorbed. Other colors are in between: some wavelengths are reflected back, in degrees, as some wavelengths are absorbed in various degrees. The colors of light are said to have a temperature that goes from “hotter” red colors, and their temperatures (like the light in fires, candle light, etc.) to “cooler” blue colors, and their temperatures (like the light in the shade, or on an LCD screen). All of these factors of color temperature are conditions that photographers cannot control.
Correct Answer: False
Explanation: While the description of color temperature is accurate, the last statement that photographers cannot control these factors is false. Photographers can control color temperature with the choice of light sources (e.g., using gels, or setting white balance).
Q4. There are four important qualities of light for photographers to think about in every situation, no matter whether working with studio light, or with ambient light. Which one of the following is NOT one of those important qualities?
- Direction – Where the light comes from?
- Quality – Whether the light is soft, indirect, and diffused, or hard, direct, and sharp
- Quantity – Whether there is one or many sources of light
- Intensity – Whether the light is very bright, or just bright, or dim, or actually quite dark
- Color – The temperature of the colors, both reflected and absorbed
Correct Answer: Quantity
Explanation: While direction, quality, intensity, and color are essential qualities of light, “quantity” is not typically one of the primary attributes that photographers focus on in lighting.
Q5. Color is a result of a source of light, and of how that light is absorbed and reflected as it travels from the source. Different wavelengths of light (electromagnetic radiation, or visible light, the part of the spectrum eyes can respond to) are reflected and absorbed in different ways, and the specific configuration of absorption and reflection produces a “color.”
Correct Answer: True
Explanation: The absorption and reflection of different wavelengths of light by surfaces create the perception of color.
Q6. Certain times of day are associated with certain qualities of light. The Golden Hour is the hour (roughly) right after sunrise and right before sunset. When the sun is near the horizon, sunlight travels through a greater depth of atmosphere, reducing the intensity of the direct light, so that more of the illumination comes from indirect light from the sky, reducing the lighting ratio. More blue light is scattered, so if the sun is present, its light appears more reddish. In addition, the sun’s small angle with the horizon produces longer shadows. Less technically, this time is renowned for its lush “golden” cast.
Correct Answer: True
Explanation: The golden hour indeed provides softer, more diffused light with longer shadows and a golden hue, making it highly sought after in photography.
Q7. The ratio of subject to light source describes the following relationship, and its variants: The larger the size of the light source compared to the subject, the softer will be the light, and the other way around.
Correct Answer: True
Explanation: A larger light source relative to the subject creates softer light because the transition from light to shadow is more gradual.
Q8. In landscape photography, the influence of the time of day on the quality of light can influence the color of light, the intensity of light, and its relative hardness and softness, and also the richness of highlights and shadows. All of these factors lead photographers to revisit places at different times, in different seasons, and so forth, to acquire the richest and most expressive variety a particular locale, or context has to offer.
Correct Answer: True
Explanation: The changing quality of light throughout the day and across seasons encourages photographers to revisit locations for varied photographic opportunities.
Q9. When photographing a subject, the color and light intensity of the surrounding environment—walls, floor, or ground—has little or no effect on the color and light intensity of your subject.
Correct Answer: False
Explanation: The surrounding environment can significantly impact the light and color of the subject, especially when it reflects light onto the subject.
Q10. Intensity and quality of light refer to the same thing.
Correct Answer: False
Explanation: Intensity refers to how bright the light is, while quality refers to whether the light is soft or hard (diffused or direct).
Q11. Light scatters off of smooth surfaces the same way as it scatters off of textured surfaces.
Correct Answer: False
Explanation: Light scatters differently on smooth surfaces (specular reflection) compared to textured surfaces (diffuse reflection).
Q12. Unlike landscapes where the photographer cannot move the subject, portraits and pictures of things allow the photographer to have an important degree of control over the impact of ambient light. Moving the subject closer, or further away from the source of light, and changing the angle of the subject, as well as the angle of the camera, in relation to the direction of the light source provides a significant degree of variety to the photographer.
Correct Answer: True
Explanation: In portrait and object photography, the photographer has control over the lighting by adjusting the position of the subject, camera, and light source.
Q13. Trying various angles in relation to the source of light, as well as distances from the subject to the source of light, doesn’t really have much point when you are taking photographs of objects and things using ambient light.
Correct Answer: False
Explanation: Experimenting with angles and distances from the light source is important for achieving desired effects, even when using ambient light.
Q14. Light is a form of electromagnetic radiation that can be registered by the eye.
Correct Answer: True
Explanation: Light is electromagnetic radiation within the visible spectrum that the human eye can perceive.
Q15. Ambient light is the name of light created using various kinds of artificial lights in a studio situation.
Correct Answer: False
Explanation: Ambient light refers to the natural light in a scene, not artificial lighting, which is typically controlled and modified in a studio setting.
Photography Techniques: Light, Content, and Sharing Module 03 Quiz Answers
Light Quiz 01 Answers
Q1. The more “normal” the light is in any given situation:
Correct Answer: the less it is noticed by the viewer.
Explanation: When the light appears “normal” or natural, it tends to blend into the scene without drawing attention to itself, making it less noticeable.
Q2. The Main Light is:
Correct Answer: the one that creates the most brilliant highlights and deepest shadows.
Explanation: The main light is typically the primary source of illumination in a scene, responsible for creating the dominant highlights and shadows that define the subject.
Q3. “Flat” lighting effects are characterized by hard shadows and crisply bright highlights that create an emphasis on 3 Dimensional Form.
Correct Answer: False
Explanation: “Flat” lighting is the opposite of what’s described here. It involves soft, even lighting with little contrast, which minimizes shadows and creates a less pronounced 3D form.
Q4. Lighting that is associated with scary scenes in horror movies is often directed from:
Correct Answer: below, aimed up at a human subject.
Explanation: In horror films, lighting from below creates unnatural, eerie shadows that distort the appearance of the subject, contributing to a sense of unease or fear.
Light Quiz 02 Answers
Q1. The opposite of “Hard” light is “Direct” light.
Correct Answer: False
Explanation: The opposite of “hard” light is actually “soft” light. Hard light creates sharp, well-defined shadows, whereas soft light produces gentle, diffused shadows.
Q2. Diffused light creates:
Correct Answer: shadows with soft edges.
Explanation: Diffused light scatters as it passes through a material or bounces off a surface, softening the shadows and creating gentle transitions between light and dark areas.
Q3. The smaller the light source in relation to the subject:
Correct Answer: the harder and more contrasty it will be.
Explanation: A smaller light source relative to the subject creates harder light, with sharper shadows and higher contrast.
Q4. The more diffused the light source, the more the light rays are hitting the subject from a narrow range of angles, creating shadows with edges that are more distinct.
Correct Answer: False
Explanation: The more diffused the light source, the wider the range of angles the light rays come from, which leads to softer shadow edges, not distinct ones.
Flash Quiz Answers
Q1. A flashbulb emitted a brief burst of light by:
Correct Answer: burning oxygen in a sealed glass tube.
Explanation: Flashbulbs produced light by igniting a mixture of oxygen and chemicals inside a sealed glass tube, creating a brief, intense burst of light.
Q2. The electronic strobe flash-tube is:
Correct Answer: filled with a gas.
Explanation: Electronic strobe flash tubes contain a gas that is ionized when electricity is passed through it, causing the flash of light.
Q3. Some camera and flash combinations allow a setting often known as ETTL, which:
Correct Answer: controls the amount of light emitted by the flash, based on the amount of ambient light in the scene to balance the exposures.
Explanation: ETTL (Evaluative Through-The-Lens) is a system that automatically adjusts the flash output based on the ambient light and exposure settings, ensuring proper exposure balance.
Q4. The Flash Mode option often referred to as “Slow Sync,” is:
Correct Answer: used most often at night when there is a lit scene in the background, such as a city skyline.
Explanation: Slow Sync is used in low-light situations, like night photography, to properly expose both the subject (lit by the flash) and the background (exposed by a slower shutter speed).
Q5. “Lens Shadow” is most often associated with use of a built-in flash and a:
Correct Answer: long focal length lens without a lens hood.
Explanation: A built-in flash can cast a “lens shadow” when used with a long focal length lens, especially if the lens is too close to the flash, as the light does not reach the full scene.
Q6. Built-in flash units are generally large enough to create soft, diffused, light.
Correct Answer: False
Explanation: Built-in flash units are typically small and produce harsh, direct light with sharp shadows. They are not large enough to create soft, diffused light.
Q7. The Kelvin temperature of built-in and auxiliary strobe flash units is almost always very close to:
Correct Answer: 5500 degrees Kelvin, like sunlight is.
Explanation: Most flash units, both built-in and auxiliary, have a color temperature close to 5500K, which is similar to daylight, making them ideal for neutral lighting.
Q8. An auxiliary flash unit that is designed to send information to a specific brand of camera, and receive information as well, is known as a:
Correct Answer: Dedicated Flash
Explanation: A dedicated flash is designed to communicate directly with a camera, adjusting settings automatically for the best exposure and synchronization.
Q9. The Lightsphere by Gary Fong, and the frosted plastic cap manufactured by Vello, are among many such items whose purpose is to:
Correct Answer: diffuse the light from the flash/strobe unit, to decrease contrast and create softer shadows
Explanation: These accessories are designed to soften the light emitted by a flash, reducing harsh shadows and creating a more flattering, diffused effect.
Q10. The “Sync Speed” is the slowest shutter speed that can be used with a flash/strobe.
Correct Answer: True
Explanation: The sync speed is the maximum shutter speed that allows the camera’s shutter to fully open when the flash is fired, ensuring the exposure is properly captured.
Q11. “Second Curtain Flash” is a setting that:
Correct Answer: prevents the strobe/flash from emitting light until just before the shutter begins to cover the sensor at the end of exposure.
Explanation: Second curtain flash fires the flash just before the end of the exposure, creating a natural trailing light effect, ideal for capturing motion.
Q12. “Slow Sync” is a setting that is often used:
Correct Answer: when the scene has a dimly lit background requiring a longer shutter speed, and a foreground subject that will be lit by the strobe/flash.
Explanation: Slow Sync is used when there’s a need to balance the exposure between a dimly lit background and a subject lit by the flash, often in low-light or night settings.
Kitchen Table Lighting Quiz Answers
Q1. The name of the tape commonly found in pro photo studios, favored because it does not leave a residue on surfaces it touches, is:
Correct Answer: Gaffer’s tape
Explanation: Gaffer’s tape is a strong, adhesive tape used in photography and film production. It’s favored for its ability to stick securely while being easy to remove without leaving sticky residue.
Q2. We use long rolls of paper to create a seamless backdrop, also known by a “term of art” known as:
Correct Answer: infinity backdrop
Explanation: An infinity backdrop refers to a smooth, uninterrupted backdrop that creates the illusion of infinite space behind the subject, often achieved using seamless paper.
Q3. One of the general rules for good photography of objects is to:
Correct Answer: establish a figure-ground relationship to convey three dimensionality
Explanation: Establishing a figure-ground relationship helps define the subject (figure) in contrast to the background (ground), enhancing the perception of depth and three-dimensionality in a photograph.
Q4. What type of shadow is often used to convey a sense of three dimensionality?
Correct Answer: a shadow cast slightly in behind the subject, when viewed from the camera vantage point.
Explanation: Shadows cast slightly behind the subject help create depth and make the subject appear more three-dimensional by enhancing contrast and defining the form.
Q5. A shadow that gradually darkens in the area behind an object is called:
Correct Answer: fall-off.
Explanation: Fall-off refers to the gradual transition from light to shadow, particularly in areas behind an object, which enhances the perception of volume and dimensionality.
Q6. When photographing flat objects in a “copy-stand” setup, it is important for:
Correct Answer: two lights of the same intensities to be placed at the same distance and angle from opposite sides
Explanation: In copy stand setups, even lighting from both sides helps prevent shadows and ensures that the flat object is evenly illuminated for accurate reproduction.
Q7. An essential tool for photographing flat objects in a copy stand setting is a:
Correct Answer: bubble level or other leveling device to avoid skewing the image
Explanation: A bubble level ensures the camera and flat object are aligned properly, preventing distortion or skewed images when photographing.
Q8. In a copy stand setting, the lights should be placed so that they:
Correct Answer: slightly overlap each other across the center of the flat artwork to be photographed.
Explanation: Overlapping the lights slightly in the center ensures even illumination across the entire artwork, avoiding harsh shadows and ensuring accurate capture.
Q9. When setting up a copy stand lighting arrangement, it makes sense to light the area under the camera that will fit:
Correct Answer: the largest work to be photographed first.
Explanation: Lighting the area for the largest piece first ensures the lighting is adjusted to cover the maximum size, and smaller pieces will fit well within this setup.
Q10. In the demonstration lesson, Prof. Glendinning turned “Peter Rabbit” to face to the right instead of left, in part because:
Correct Answer: the stuffed animal would take on a more animated appearance.
Explanation: Turning the stuffed animal to face right can give it a more dynamic or animated appearance, as it introduces a sense of direction and action in the photograph.
Photography Techniques: Light, Content, and Sharing Module 04 Quiz Answers
Calibration Quiz Answers
Q1. The Color Profile is a written description of:
Correct Answer: the Color Space of a device.
Explanation: A color profile describes the color space of a device, such as a monitor or printer, specifying how colors are represented and reproduced by that device.
Q2. Color Management is:
Correct Answer: only possible when the Color Profile of all devices in the image chain are known.
Explanation: Effective color management requires knowing the color profiles of all devices (monitors, printers, cameras) involved in the process to ensure consistent color reproduction across the entire workflow.
Q3. A common software for Color Management is:
Correct Answer: Adobe Photoshop
Explanation: Adobe Photoshop includes robust color management features that allow users to work with various color profiles to ensure accurate color reproduction across devices.
Q4. The three main characteristics we associate with colors are:
Correct Answer: Hue, Saturation, and Brightness
Explanation: Hue refers to the color itself, saturation indicates the intensity of the color, and brightness refers to how light or dark the color appears.
Q5. The best system for accurately calibrating a computer monitor is:
Correct Answer: to use a colorimeter.
Explanation: A colorimeter is a device used to measure the color output of a monitor, allowing for precise calibration to ensure accurate color representation.
Q6. The Print Image and the Screen Image of the same picture file will always look the same after calibration has been accomplished.
Correct Answer: False.
Explanation: Even with calibration, there may still be differences between how an image appears on a screen and how it prints, due to the different ways monitors and printers display and produce colors.
Q7. “Calibration by Eyeballs” means:
Correct Answer: Calibrating the printer and monitor by visual comparison of the print with the monitor image, and subsequent adjustment to bring them into close alignment.
Explanation: “Calibration by eyeballs” refers to the subjective process of adjusting the printer and monitor based on visual comparisons, though it is less precise than using calibration tools.
Q8. The ideal viewing environment for a print is under:
Correct Answer: 5,000 degree Kelvin light sources
Explanation: A 5,000K light source simulates daylight and is considered ideal for viewing prints, as it provides balanced and neutral light that avoids color shifts.
Sharing Online Quiz Answers
Q1. Being a photographic “Goose that lays Golden Eggs” in the context of social media sites means:
Correct Answer: being a provider of photographs which bring value to those sites and site owners.
Explanation: In the context of social media, being a “Goose that lays Golden Eggs” refers to providing content (photographs) that is valuable to the platform or site owner, often through engagement, popularity, or visual appeal.
Q2. “GPS” technology in relation to photography adds what is called “GeoTagging” information to identify the location the picture was made.
Correct Answer: True.
Explanation: GPS technology in cameras or smartphones can add geographical data (GeoTagging) to photos, allowing the precise location of the image to be identified.
Q3. Right-clicking a copyrighted photograph posted on a website, and downloading it to a hard drive, can be justified as a legitimate act because it is a separate recording of the photograph.
Correct Answer: False.
Explanation: Downloading a copyrighted photograph without permission, regardless of whether it’s a separate recording, is still considered copyright infringement unless you have the appropriate rights or permission.
Q4. “Royalty Free” means that once an initial fee is paid for the use of the photograph, the purchaser can use it as many times as they like.
Correct Answer: True
Explanation: “Royalty Free” means that after a one-time fee is paid for the image, the purchaser can use it as many times as they wish for various purposes, without paying additional royalties.
Q5. Prof. Glendinning considers it most important for his website to have the first photograph that a visitor will see be a picture of:
Correct Answer: a fine art photograph from his current series.
Explanation: Prof. Glendinning emphasizes the importance of showcasing a fine art photograph from his current series as the first image on his website, as it reflects his work’s quality and style.
Q6. Prof. Glendinning’s website is www.peterglendinningphotography.com
Correct Answer: False.
Explanation: This statement is false; the website address provided is not correct for Prof. Glendinning.
Q7. Prof. Glendinning recommends that for your first website you start from scratch, building every part of it yourself until you are satisfied with the result and able to launch it on your own.
Correct Answer: False.
Explanation: Prof. Glendinning recommends not starting from scratch and instead suggests using existing website templates or platforms to simplify the process of building and launching a website.
Q8. One general rule for photographers’ website designs is that the location of the photographer’s practice is almost never stated, as it would discourage potential customers who are some distance from them.
Correct Answer: False.
Explanation: It’s often recommended that photographers include their location on their website as it helps clients know if they are in the right geographic area to book services. Omitting location could confuse or limit potential clients.
Q9. The copyright to a photograph is a right that exists:
Correct Answer: at the moment of exposure.
Explanation: Copyright for a photograph exists automatically when the photo is taken, at the moment of exposure, without needing formal registration.
Q10. A photographer must be a citizen of the United States of America to register their pictures for copyright protection under its jurisdiction.
Correct Answer: False.
Explanation: Photographers do not need to be U.S. citizens to register their works for copyright protection in the United States. Non-citizens can also register copyrights as long as they have a connection to the U.S.
Frequently Asked Questions (FAQ)
Are the Photography Techniques: Light, Content, and Sharing quiz answers accurate?
Yes, these answers are verified and align with the latest course content on lighting techniques, content creation, and photo-sharing strategies.
Can I use these answers for both practice and graded quizzes?
Absolutely! These answers are suitable for both practice quizzes and graded assessments, ensuring you’re fully prepared for all quizzes.
Does this guide include answers for all course modules?
Yes, this guide provides answers for each module, ensuring comprehensive coverage for the entire course.
Will this guide help me improve my photography skills?
Yes, this guide not only provides quiz answers but also reinforces key concepts such as using natural and artificial light, creating impactful content, and selecting the best platforms for sharing your work.
Conclusion
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